Review | Box Office Collections - Ek Paheli Leela

dharmikmoni

Dharmik Moni
<h1>Review | Box Office Collections - Ek Paheli Leela</h1>

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The film's title is a misnomer. It ought to have been Many Pahelis Leela, in light of the fact that all through this loathsome drag, I continued attempting to tackle a few riddles with no achievement, concocting a huge zero at last.

What is it about? Is it about Meera (Sunny Leone), a London-based model with an apprehension of flying, who ends up in Rajasthan in the silliest conceivable way? Alternately is it about Leela (Sunny Leone, once more) who experienced three 100 years back, however whose make-up and shrewdly cut "cholis" plunging to her shapely navel, which influences confoundingly on the hills, recommend that she's just got done with slipping into her ensemble and go ahead set? Then again is it about getting Ms Leone in whatever number cash shots—middle, waist, back, legs, exposed, barer, barest—as would be prudent, Meera, Leela, what difference does it make?

Who is Karan? Alternately besides Bhairon, or Shravan, or Ranveer, or Bikram? (Jay Bhanushali, Dev, Duggal, Ahlawat, Arora individually) All they appear to do is drift around Meera/Leela, whether it is in the present or the past, listening to her squeal energetically in her advanced symbol, or go the wince prompting 'tharo-mharo-khamaghani' squeaky-name course, once upon a time. Is it true that they were all picked on the premise of how buff they are?

To what extent does Bollywood anticipate that us will sit through the most moth-eaten 'punar-janam' stories? To what extent will Rajasthan exotica keep on going about as a snare for castles, sovereigns, 'leheriya safas', and amusingly threatening scalawags who go about whipping nubile youthful things and their significant others into accommodation?

Why, truth be told, imagine towards a plot, when this film needs to do is to endeavor its driving woman's amazing stack? From however many edges as would be prudent, the closer the better? Who gave India's Babydoll motivation to accept that she could go past 'sone di and pittal di'.
 
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